Online Resources

Student Name: Ferby Chen
Number: 2091200162
Course: Research Writing
Assignment: Online Resources Bibliographic Notes


[1] Chun-Lan Lin
Puppetry and Taiwanese Identity through Three Historical Periods
N.D. VCC302 Research Essay

This article talks about the significance of glove puppetry to the Taiwanese. Also, it discusses

the historical periods of puppetry.

home.utm.utoronto.ca/~c_lin/portfolio/works/302_research_essay.pdf

[2] Bi-yu Chang
Reclaiming Culture Ownership - Indigenous Xiqu and the Construction of Taiwanese Identity
N.D.

This article mentions why the puppetry occur, and when budaixi was published on TV.
http://www.ruhr-uni-bochum.de/slc/EATS%20II%20Bi-yu%20Chang.pdf

[3] Benson J.
Glove Puppetry
2004, Government Information Office

This article talks about some changes and development on glove puppetry, such as music, costumes, and scene.
http://www.gio.gov.tw/taiwan-website/5-gp/culture/glove_puppetry/

[4] Scott Williams
Huang Hai-tai Glove Puppetry Maestro and Founder of the Wuchou School
2001, Sinorama Magazine

This article mentions what the Huang family do for keeping the glove puppetry. They give puppetry a new style to make it more acceptable and active.
http://www.sinorama.com.tw/en/show_issue.php3?id=200299109040e.txt&page=1

[5] Taiwan Headlines
Glove Puppetry Alive and Well
April 28, 2000, Taipei Journal

This article talks about a new creation of glove puppetry. Golve puppetry was proformed as a movie "Legend of the Scared Stone", and puppetry has a different style to%2

Draft Outline

Taiwanese Puppetry

Thesis statement:

The art of puppetry will be continued in Taiwan for ten years to come because of all puppeteers' insistence, government's promotion, and some changes in puppetry.

Ⅰ. Introduction:

In this modern society, the products of science and technology are more and more popular and getting more attention. However, the cultural product shouldn't be ignored. The puppetry in Taiwan has been owning its status, and it is hard to be deleted in many people's mind. Therefore, ... ... ...

Ⅱ. Background: (Literature Review)

A. The puppetry evolved from the middle of 19th century.

B. The puppetry was spread to Taiwan by immigrants that came from Chuanchow(泉州) and Changchou(漳州) areas.

C. Traditional puppetry was affected a lot by people's religion.

D. The puppetry is added some changes like music and puppets' costumes to make it more active and acceptable, and it also joins with science and mysterious plot to catch audience's eye.

E. Some events and reformations influenced and limited the development of puppetry, eg. 228 Incident in 1947.

.........

Ⅲ. Methods:

A. Questionnaires

B. Books/Newspapers/Magazines

C. Interview

D. Online journal

Ⅳ. Results: (Respondence)

Many people expect Taiwanese puppetry will keep going, but our government have to do some help and give it a proper condition to exist. .........

Ⅴ. Discussion: (Conclusion)

Taiwanese puppetry............

Hi Aiden,

I just focus on first three parts.

Thank you for taking a look at and comment.

Ferby

Bibliographic Notes

Hi Aiden,

This is my bibliographic notes.

Topic: Taiwanese Puppetry
Tentative Title: The art of puppetry will be continued in Taiwan for ten years to come.

[1] Jiannyih, Fuh

The Taiwanese Hand-Puppet Performance
Taipei City: Shangjou Edit Co., 2000

Chapter 1 deals with people's religion affects puppetry a lot.
Chapter 3 is a description of the puppetry be added some changes like music and puppets' costumes to make it more active and acceptable.

[2] Yuhluh, Wang, and Yeaching, Wu

The Understanding&Appreciation of Taiwanese Puppetry
Taipei City: National Taiwan Arts Education Center, 1995

Chapter 2 deals with the Taiwanese puppetry originated in and developed from puppet show in Chuanchow area.
Chapter 3 is a description of the puppetry evolved from the middle of 19th century until now.

[3] Hwanyueh, Liou

The Admirable Art -- Taiwanese Puppetry
Taipei City: Taiuan Publishing Co., 1990

Chapter 4 deals with the puppetry joins with science and mysterious plot to catch audience's eyes.

[4] Jenqjy, Chen

Taiwanese Traditional Hand Puppet Performance
Taichung City: Department of Information Taiwan Gov., 1991

From page 186 to page 191 deals with the puppetry be spreaded to Taiwan by immigrant that came from Chuanchow and Changchou.
From page 195 to page 200 is a description of the puppetry be developed through some periods from the beginning until now.

[5] Chyonghuey, Jang

Chyanghwa, Hwang and Wentzer, Hwang with Pi-Lih Puppetry
Taipei City: China Times Co., 2003

Chapter 3 deals with the puppetry can be continued by some improvement, such as creativity and communicating with the audience.
Chapter 4 is a description of the government should do some help to puppetry and give it a proper condition to exist.

[6] Hwajaang, Horng

The Beautiful Culture in Taiwan
Changhua City: National Chang-Hua Hall of Social Education, 1999

From page 187 to page 191 deals with the puppetry be noticed by government in the period of cultural awareness in 1977.

[7] Gwojenq, Yang

The Rich Harvest of 1999 Taiwan Culture Festival
Nantour City: Cultural Affair Department Taiwan Provincial Gov., 1999

From page 175 to page 179 is a description of the place where perform the puppetry was changed from outdoor to indoor after 1947.

[8] Yifang, Wang

Traditional Arts in Taiwan
Yilan County: National Center for Traditional Art, 2002

From page 54 to page 57 deals with the Council for Cultural Affair in Taiwan held many activities to promote the puppetry in order to treasure this national cultural valuable.

[9] Duanjenn, Guo

The Biography of Important National Artists -- Hand Puppet Master Li Tien-lu
Taipei City: Ministry of Education, 1998

Chapter 4 deals with some events and reformations influenced and limited the development of puppetry, for example, 228 Incident in 1947.
Chapter 8 is a description of more and more people pay attention to puppetry because of hand puppet master - Li Tien-lu - his cultural products museum of puppetry was established in 1980.
Page 282 presents that if the art of puppetry will keep going, the complete and perfect plans are necessary and the most important.

[10] Yeongyih, Tzeng

The Local National Art
Taipei City: Council for Cultural Affairs, Taiwan, 1988

From page 122 to page 129 deals with the art of puppetry reflects reality of people's life and emotions.


Ferby

Republish the Questions

Topic: Taiwanese Puppetry

Thesis statement: The art of puppetry will be continued for ten years to come.

Questions:
a. How did the puppetry be created? (the origin)
b. Did the puppetry have any evolution and change since the beginning until now?
c. What kinds of conditions are going to be need if the art of puppetry will keep going for ten years in Taiwan?


Ferby

My New Topic

Hi Aiden,

I have a new topic. Is it ok? Please give me some suggestions. Thank you!!

Topic: Taiwanese Puppetry
Thesis statement: Will the art of puppetry be continued for ten years to come?
Questions:
a. How did the puppetry be created? (the origin)
b. Did the puppetry have any evolution and change since the beginning until now?
c. What kinds of conditions are going to be need if the art of puppetry will keep going for ten years in Taiwan?

Thank you for response!!

Ferby